Trans Survival: Rani Baker on Dealing with Trolls, Transition, & Trump Era Fear

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TransEthics: Your band, Destroyed for Comfort, has a very unique sound. To those who have yet to experience it, how would you describe it?

Rani Baker: The music I perform is typically very sample-heavy, intentionally retro, low-fi, and abrasive, with heavily distorted vocals. The sound (especially live) has frequently been compared to Skinny Puppy, Alec Empire and Crystal Castles, but doesn’t really sound exclusively like any of those acts. Occasionally more melodic and/or experimentally structured work is composed, but I tend to take the stompier, more anthemic tracks live.

TE: How did you come up with your band’s name? Continue reading

Trans Artisan: Courtney Trouble on Gender, The Effects of Transphobia, and Art

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TransEthics: What did you do before you got into sex work?

Courtney Trouble: I started doing phone sex as a job a few months after my eighteenth birthday because between college, my personal projects, and trying to be a freelance writer, I didn’t have the time or interest to stay at an entry-level retail or food job. I just didn’t have it in me. I was initially attracted to sex work because I wanted to work on my art (which at that time, were photography, zines, websites, and music) instead of work at someone’s store. I’ve been doing some sort of internet-based sex work since 2002. So what did I do before sex work? Be a teen, I guess. A nerdy, super creative, artistic, baby riot grrrrl who didn’t want a corporate job.

TE: When did you decide to move beyond working the phones? Continue reading